To clarify, this is a comedy piece; none of this is based on fact, only ridiculousness.
The Downtown Eastside (DTES) has been in the news a lot, what with the tent city in Oppenheimer Park gradually becoming a thing of the past. The camp that originated in mid-July of this year has been hit with a series of eviction notices for months; a Supreme Court order from late September ruled that the more than 200 camp residents would have to depart by October 15 at 10 p.m., with risk of arrest if they stayed any later. While evicting people from what has become their home is complicated enough, the issue has become further convoluted with the finding of a dead body among the tents shortly before the eviction deadline. The deceased is not believed to have died through foul play, although an autopsy still needs to be performed.
Mayor Gregor Robertson gave his sympathies on the death, while remaining firm in his belief that the tents had to go: “[T]his tragedy certainly demonstrates why tent camps are not safe, why the city has had great concerns about this camp continuing to be there, and particularly the safety issues for elderly people.”
Clearly Robertson is very concerned with the well-being of residents of the DTES, as evidenced by his alleged voter suppression of the area in the upcoming municipal election. As the Mainlander reports, there are only two advance voting stations east of Main Street, compared with five advance voting stations on the Westside.
It’s unfortunate that Mayor Robertson hasn’t put his advanced polling stations where his mouth is for the elderly, disabled, racialized, and impoverished communities that predominantly make up the DTES, and for whom he is oh-so-concerned.
With the increasing discussions of how to help the residents of the Eastside, it’s questionable that the people in need of help themselves are being erased from the conversation. Two lonely poll stations don’t accurately represent the vastness of the Downtown Eastside—described in the City of Vancouver’s Downtown Eastside Local Area Plan from 2012 as spanning roughly 202 hectares. This expanse is especially significant when you take into consideration that the residents are predominantly disadvantaged populations.
As DTES resident Fraser Stuart explained in an interview with the Georgia Straight, taking the bus to the stations isn’t financially possible for many people: “After a week and a half, your welfare or your pension money is gone … So to pony up another $2.75 to go and vote—that’s a luxury. That’s your food for the day, basically.”
Wendy Pedersen, organizer of Downtown Eastside Votes, further explains to the Mainlander that “The city must know that DTES residents can’t, even if they wanted to, get to Yaletown to vote. So many of them need extra time for the registration and voting process because of stringent ID requirements (no more vouching for people this time).”
Chief election officer Janice MacKenzie told the Georgia Straight that they took into consideration accessibility via transit, and ensuring that they wouldn’t “grind programming to a halt at any location that we select” for the advance polling stations.
It’s bizarre that the DTES currently has fewer than half the advance polling stations that the Westside has. Vision Vancouver deputy campaign director Stepan Vdovine expressed his concern over the absence of DTES advance voting stations in a letter to MacKenzie. He further stated that “analysis of past voter turnout shows that these areas have a higher likelihood of voting than other parts of Vancouver.”
Although Mayor Robertson has proclaimed his goals for improving the lives of impoverished populations—including addressing housing and income gaps, and providing social services—the reality is that the conditions of DTES residents have not ameliorated. While the City of Vancouver has spent its time “Reviewing; planning; getting feedback; [and] measuring results,” the Vancouver Area Network of Drug Users (VANDU) has identified three key needs for the DTES residents. The organization, which is dedicated to helping “improve the lives of people who use illicit drugs,” listed these needs in an open letter: “housing, Indigenous land claims, and municipal services at Oppenheimer Park.”
Let’s take VANDU’s first point of housing as an example: the City of Vancouver recently announced its approval of $1-billion dedicated to services throughout Vancouver; roughly $125-million of that is earmarked for affordable housing. The National Post reports that millions of dollars have been spent on single room occupancy hotels (SROs) over the years, and I imagine this will continue to be the case.
SROs sound ideal at first, offering temporary or long-term housing for those in need of help; yet a national study from 2013 indicated that the mortality rate of residents in SROs is five times the national average. This is in part because the help and services that the people need don’t accompany the provision of housing. SROs consequently become increasingly unsafe, as more people suffering from both mental and physical illnesses, as well as addictions, get shoved into the tiny accommodations: researcher William Honer of the UBC study on SROs states that residents might be in spaces of 3×3 metres. The health of SRO residents is often aggravated by this unhelpful help. It’s no wonder, as VANDU states in its open letter, that “campers are currently paying rent to live in SROs, but have chosen the healthier living conditions of Oppenheimer Park.”
These complex issues demonstrate why the voter suppression of the Downtown Eastside is so offensive, and concerning. Discouraging the DTES voters from voting, whether unintentional or “unintentional,” can only lead to the continued mistreatment of some of Vancouver’s most-vulnerable.
Originally published in the Other Press.
Spoiler warning: some plot development from Gone Girl is vaguely discussed to be as spoiler-free as possible
Gillian Flynn’s best-selling novel Gone Girl originally came out in 2012. The book quickly gained momentum as a modern crime-thriller, and as of October 3, a film adaptation is out in theatres. Like the book, the film has been highly praised, with some calling it the best movie of the year. However, both the book and the film have been consistently debated as to whether or not they are misogynistic.
I was walking home from the SkyTrain one night when out of the shadows emerged a hooded face with a gravelly voice. “Smile, beautiful, it’s hard to keep a straight face like that,” he said to me as I hastened my pace and evaded his gaze.
This is a familiar narrative to a lot of women: that tale of being jolted out of a reverie by some exhortation about smiling. I wish I could offer an explanation as to why the command is so commonplace; regardless though of why certain men feel they ought to tell women what to do with their faces, it’s a tired request that keeps getting older. Women are becoming increasingly fed-up with the manhandling of moods.
While I know many men might not see it this way, asking someone to smile is a questionable cocktail that’s both sexual and patronizing. Sexual, because it’s often accompanied by some proclamation about the woman’s appearance—generally “You would look prettier if you just smiled.” Patronizing, because the commander assumes a position of authority over a stranger by telling them what to do.
More than patronizing though, it can be a form of intimidation. Comedian Nikki Glaser, for a NowThis Rant, said that while she never wants to smile in response to these commands, she does so anyways “because I’m a little bit scared.”
That’s the crux of the matter: this street harassment becomes an assertion of dominance. I doubt very much that a hetero man would, in all seriousness, say to another man “Smile, handsome!” Encounter a young woman walking alone though, and suddenly it’s open season on unwilling participants.
Most men don’t see telling women to smile as anything more than a teasing or flirtatious remark. As Damon Young writes for Ebony.com, he used to see the act as “playful and innocuous”; he acknowledges though that it’s “not about a legitimate need for women to be happy as much as it’s that smiling/pleasant-looking women are easier on the eyes and more inviting to approach. It’s really not about the women at all.”
To me, the point of telling someone to smile is to tell them what to do, and assert some alleged dominance—the goal isn’t actually to make the woman smile. I get what Young is saying about women being more approachable if they’re smiling (still not a good excuse), but haven’t you already approached the woman by telling her to smile? You’re either forcing a woman to smile in order to make her more approachable for yourself, or you’re forcing her to smile for the sake of it. Regardless, the woman and her actual happiness get lost along the way.
Artist Tatyana Fazlalizadeh started the project Stop Telling Women to Smile to address “street harassment, particularly gender-based street harassment,” as she states in the project’s promotional video. Stop Telling Women to Smile began in the fall of 2012 in Brooklyn, and is Fazlalizadeh’s call-out to her harassers; rather than staying silent, she created a platform through her art to respond, and shared that platform with other women.
Instead of keeping her response in the confines of a studio or gallery, she chose to bring it where the harassment happens: the streets. Fazlalizadeh interviews women on their experiences with gendered street harassment, gathering accounts from real women about their fears, anxieties, and reactions. From there, she takes the women’s photographs, draws their portraits, and captions the portraits with what the women want to say to their harassers. The result is a series of poster portraits, plastered around New York and emblazoned with words like “I am not here for you”; “I am not outside for your entertainment”; and “You can keep your thoughts on my body to yourself.”
The commands to smile are, as Fazlalizadeh articulately describes, “unwelcome … unwanted … aggressive, and assertive, and really make you feel uncomfortable and harassed.” I don’t care whether or not the intention is to be “playful”; the fact is it’s a bizarre request that belies any innocuous intentions, and it can’t be ignored as white noise. Give women a reason to smile, don’t tell them to.
Originally published in the Other Press.
In film, television, and even music, many in the spotlight are hired based partially on their physical appearance. If the person you’re watching on screen is considered fat, skinny, short, or tall, their presence is likely placed there intentionally. But with much of the media-based industry still heavily focussed on conventionally attractive men and women, have we in turn been trained to objectify them?